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allmusic Reviews "22 Dreams"

Paul Weller
22 Dreams - 4 1/2 Stars
Stephen Thomas Erlewine
allmusic.com

Of all the many things Paul Weller has done in his career, he has somehow managed to survive three decades without a double album to his credit. 22 Dreams rectifies that wrong, offering a luxurious sprawl that's proudly, staunchly classicist, just like Weller's solo career itself. Weller's embrace of rock & roll tradition might suggest that he has taken his double album as an opportunity to offer a summation of his career, to summarize where he's been and perhaps where he's going. Tempting though this may be, especially given the record's elastic, elegant eclecticism, this isn't quite a self-conscious summation, nor is it quite a risk-taking tour de force in the vein of the White Album, even though this encompasses everything from fragile folk to the resurrection of the sophisticated collegiate jazz of the Style Council. Instead, 22 Dreams has a floating romantic quality that justifies the dreams of the title, drifting from sound to sound, sometimes taking elaborate detours, sometimes stopping for a brief picturesque sideshow. In some ways, it's the flip of the pile driving As Is Now, where Weller indulged in harder inclinations, as this finds Weller exploring his softer side, often in ways he hasn't quite done before.

There's still a crustiness to Weller -- he'll get sensitive, but he won't get sappy -- but there's an openness to 22 Dreams, in how he eases into a Curtis Mayfield homage as comfortably as he pays tribute to Alice Coltrane with Robert Wyatt in tow. Wyatt isn't the only guest here, either, as Weller expands his core band -- without leaving right-hand man guitarist Steve Craddock -- with cameos by Graham Coxon and Noel Gallagher (only he could unite these Brit-pop foes), the latter collaborating on a thick, hazy psychedelic "Echoes Round the Sun." This is about as dense as 22 Dreams gets, as it has a lighter touch, so graceful that it can disguise the number of styles Weller touches upon here, as he skips from electronica and pastoral jams lingering from Wild Wood to jazz and soul. Initially, this doesn't sound radical -- it is recognizably of a piece with his solo work, fitting neatly alongside either Stanley Road or Illumination -- but more listens reveal just how finely textured and woven this tapestry is. And although it shares superficial sonic similarities with his other records, 22 Dreams is really unlike any of Weller's other albums, as it's rich in sound and feeling, possessing a shimmering dreamy quality. It's an album to get lost in.

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Album Preview: Paul Weller Recruits Noel Gallagher, Thunderstorms to Share His “22 Dreams” “You get to this stage in life where you say ‘I’ve done everything that I can do,’” says Paul Weller. As he passes the half-century mark, Weller easily could have returned to his old stomping grounds, whether it was the mod-punk of his first band the Jam or the pop leanings of the Style Council. But rather than reliving past glory, Weller spent the last year recording 22 Dreams, the most expansive and experimental album of his career. “I was conscious when I walked into the studio that I wanted to do something different. I didn’t want to make As Is Now Part 2,” Weller tells Rock Daily. “There was this mentality where it was like, ‘Let’s try anything that comes into your mind.’” Weller sequestered himself in his country studio, recruited some famous Britpop friends like Oasis‘ Noel Gallagher and Blur’s Graham Coxon and spent hours improvising with his band. The result was 22 Dreams, a genre-leapin